http://skowhegan.watch/0-5 daily 0.75 2016-10-25 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddca8c86db4354f98d007b/1458074350866/ '0-'5 - For Your Approval Rudy Shepherd 2016. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcbaaf699bb1971875540/1477414512513/ '0-'5 - Bogus Science Fred Tomaselli 1988. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcbe98259b51729aa99c8/1457716261182/ '0-'5 - Drywall Anna Queen 2015. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcc408259b51729aa9cfa/1458152814768/ '0-'5 - Startup Grotto Gregory Kalliche 2013. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddccdb37013b912bd4086e/1458139661317/ '0-'5 - Tutorial 01 Alan Segal 2015. Buenos Aires 1920x1200 no sound Vectorial animation (Adobe Premiere) https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcd0c8259b51729aaa3bc/1457716292212/ '0-'5 - Fine China Ho Tam 2000. Filmed in Digital-8, edited on DV. Music: Ren Yun. Created with the supports of Public Access, Toronto. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcd72c2ea51bb6240c3cb/1458577405556/ '0-'5 - Puppets Gone Wild (excerpts) Paul Farinacci Excerpts from 2011. Ongoing project involving the escapades of the Tubettini Sisters. Long Island City. Production assistance from Vicki Berger and John Farinacci. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddce0b45bf210da7be724f/1458139878211/ '0-'5 - Pain-triarchy Series (Part I) Ginny Huo 2015. Skowhegan Rocks covered by painted paper and charcoal, used as props for installation. Participating artists: Nobutaka Aozaki, Madeline Hollander, Sarah Mattes, Neven Lochhead, Pablo Rasgado, and Jessica Vaughn https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddce453c44d8daa9770787/1458233461986/ '0-'5 - Ghost Looking for its Spirit slinko 2012. HD Video 3:13. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddce733c44d8daa977096c/1458073872517/ '0-'5 - Dogs Molly Teitelbaum 2014. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddce9d3c44d8daa9770b17/1460660547269/ '0-'5 - Solar Anvil 9 Melissa Oresky 2015. in collaboration with musician Zak Boerger. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcf1be32140977cd2d098/1477414512523/ '0-'5 - The Muhdi Enters Moses-town Brian Zegeer 2015. Produced for Little Syria Tour, a project comissioned by Edge of Arabia for The Armory Show in March 2015. Thanks for Karen Hwang. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcff060b5e9c6b3f99902/1457716483940/ '0-'5 - I Look at Me Like You're the Ugliest Thing in the World Pilar Gallego https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd02627d4bd4cd79f5dca/1457716498142/ '0-'5 - Jackin' It Erik Patton 2013. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd06a07eaa01e2c650052/1477414512514/ '0-'5 - Order Collaboration 1 Catalina Tuca 2015. Skowhegan. Project that depicts in video and photography the collaborative process in which thirteen volunteers were invited to arrange objects on a table. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd27462cd94ff5a3494ad/1458233343740/ '0-'5 - Cleveland/Grandma drank freeze dried 80s 90s Jef Scharf 2015. Animation celebrating Cleveland, Ohio and Spaces Gallery. Brute Force narrates. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd2bd746fb9be9cf8294d/1458160493544/ '0-'5 - Bread Kate Shepherd 2012. In collaboration with Anna KE. Movie of computer screen, scrolling though images on iPhoto. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd33dab48dec311192a7a/1457716655304/ '0-'5 - 2 or 3 red eyes Mathilde Ganancia 2015. with Shawn Thornton & Samantha Jorgensen HD Video, 5'46. Mosher Hill Falls Maine Waterfalls. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd3b460b5e9c6b3f9bf67/1458073853469/ '0-'5 - Rewilding Platte Clove, 2014 Rachel Frank 2014. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd40c60b5e9c6b3f9c2e4/1457716708278/ '0-'5 - The Art-shaped Hole In My Heart (excerpt) Charlotte Lagro 2015. Participating artists: Jonathan Berger, Lizzie Fitch and Ryan Trecartin, Theaster Gates, Neil Goldberg, Paco Rodriguez, Michelle Grabner and participants of Skowhegan 2015. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd443044262ef7f996995/1458139501505/ '0-'5 - Godhead James Maurelle 2015. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd46a044262ef7f996c11/1457716755129/ '0-'5 - LHT HSE KPR John Landewe 2012. Originally projected onto the side of the Saugerties Lighthouse wth ambient sound. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd4a3044262ef7f996e5d/1457716877565/ '0-'5 - I Put A Spell On You Because You're Mine Dominic Mangila 2015. Part of a solo show at Vargas Museum in the Philippines. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd4fc40261dc2f4f64050/1477414512517/ '0-'5 - Things in Common between Dreams and Animal Behavior Matthew Wilson 2015. using pages from Gregory Bateson’s “Metalog: What is an Instinct?” Produced by Ramdom, Progetto GAP. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddd53359827e507d723c2d/1466094825555/ '0-'5 - This is not the Sun Lili Chin 2009. 16mm transfer to HD Video, sound, B + W, trt: 3:09 Shot on location, La Jolla, CA at Scripps Institute of Oceanography A stop motion film of a performance featuring two men, a bowler hat, the ocean and the sun. Inspired by Rene Magritte. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56e8450f1bbee0bfa96daeb6/1477414512634/ '0-'5 - Eagle Rock: A New Hope Kevin Sudieth https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/575b145727d4bd90a37f15ea/1466444291957/ '0-'5 - Self Less Gregory Coates 2016. 3 min loop. Kyoto, Japan. I like the Definition to be my statement, having little or no concern for oneself, especially with regard to fame, position, money, etc. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/57bc7dac2994ca8e30db8312/1471970875987/ '0-'5 - Koyaanistocksi Jesse England 2016. 2:16, digital video. Trailer for Godfrey Reggio's Koyaanisqatsi reconstructed shot-by-shot with modern, watermarked stock footage. A testament to Reggio's influence on contemporary motion photography, and the appropriation of his aesthetic by others for commercial means. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/56ddca7937013b912bd3f1af/56ddcab8fb436d2b8ae9a060/1457375884747/ '0-'5 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/t/56df3c797da24f60b1741d9c/1457470585636/12193704_10153269805885975_2991950367871290209_n.jpg '0-'5 http://skowhegan.watch/4-9 daily 0.75 2017-01-30 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b15fc20c647ca72fc175c/1466094929990/ '4-'9 - Penelope Noor Abed 2014. Excerpt from 06:28 min 16mm film, silent. Inspired by the Odyssey, based on Homer's epic poem from Greek Mythology, this work is based on the concept of myth; its position in history and relation to the present and the imaginary. This film was shot in Palestine, attempting to reflect a reality other than the one history offers. Here, myth could be seen as a collective dream and public imagination. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b163f2b8ddec721912179/1472141384348/ '4-'9 - becoming 2 (setting the record straight) Alejandro T. Acierto 2014. 2:40, Skowhegan, sound with video. There's nothing you can't face // And should they tell you you'll never pull through // Don't hesitate, stand tall and say // I can make it through the rain https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b16734c2f855edb1e14fa/1472141384361/ '4-'9 - CHROMACITY Brian Alfred 2016. 4:17, animation. Chromacity is an animation exploring color and nighttime. It is an environment of city lights, haze and nighttime glow. The music is by London based musician NZCA LINES. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b182df850829a45d68a58/1472141384852/ '4-'9 - From Painters Painting Emile de Antonio, edited by Rebecca Baldwin 2015. 1:57 (excerpts) Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Presented sequentially, the video piece From a Painters Painting is a collage of every time an artist says, “um." https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b184cf850829a45d68afa/1472141384572/ '4-'9 - Intros Claudia Bitran 2014. 03:28 I remade production company logo animations with craft materials and layering my voice in a chorus. This is an excerpt, and I am constantly remaking new ones. It is a never ending loop, each intro introduces a new intro. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b189807eaa0338ce453cd/1472141384513/ '4-'9 - Alliterations pepe nero 2014. 6:48, Drawing NYC Giving visual forms to verbal (word) alliterations. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b18f67da24f0a4fa35b25/1472141384647/ '4-'9 - This Place Not Here Daniel Carroll 2016. 25:31, HD/SD Video, Color, Sound. "This Place Not Here" is an exchange between me and my immediate family, that pulls together personal monologues, staged and unscripted domestic events, abandoned landscapes, and excerpts from a guided dream meditation. We travel between real and fictive spaces to investigate the threshold between owning and being owned by another, how we struggle for dominance or submit to acts of care. I ask what a document is, what is its function, how it reveals or hides, and how the presence of a camera positions or repositions our power, gesture, and intimacy. Furthermore, I ask how we claim notions of character, and how our familial roles transmit through time, place, and circumstance. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b191986db43c725bf035e/1472141384664/hqdefault.jpg '4-'9 - Memory is more than flesh Oscar Rene Cornejo 2002. 12 minutes video, New York Trilogy that looks at the cold wars in Central America during the Reagan era. Part I: A member of the Salvadoran armed forces joins a conversation between half brothers - one sibling born and raised in El Salvador, the other born in the United Sates. Part II: Montage Part III: A collage of the Salvadoran conflict, Disnep films of South America, and audio of the Nicaraguan civil war and revolution.   https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b19502fe131a235c889e7/1472141384780/ '4-'9 - Debauched Zeitgeist Carla Edwards 2006. TRT 4:00, Digital Video Loop, Album Cover, Hair Layered composite of 2Live Crew's As Nasty As They Want To Be album cover, ocean footage shot near the Gulf, and animated hair. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1985d51cd4f9d1c9d1b2/1472141384810/ '4-'9 - Call and Response, the beauty and exuberance of Ashley Bryan Rich Entel 2014-15. 3:44, Kenya and South Africa, Video. Ashley Bryan, artist, poet, children's book author and illustrator, age 92, travels frequently to rural schools in Nyeri, Kenya and projects near Johannesburg (Kopanang) and in Port Elizabeth, South Africa. Through the power of call and response poetry he joins with each community he visits. Bathe in the remarkable energy of Ashley Bryan as he lifts those around him with the poetry of call and response. Poems featured in the video: The Artist by Ashley Bryan, Shine Like a Star by Noni Carter, The Reason i Like Chocolate by Nikki Giovanni, My People by Langston Hughes. Kopanang (where the celebratory dancing was filmed) is a truly remarkable women's embroidery collective in a township near Johannesburg. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b19add51cd4f9d1c9d561/1472141384807/ '4-'9 - The Three Musketeers Kyoung eun Kang 2014. 6min 48 seconds, Single channel video, color, sound The Three Musketeers, single channel video, portrays four Mexican busboys who work at a Korean restaurant in New York City. When I worked at the restaurant with them, they started to call me “mi amor” (my love). This video stitches images of them continuously calling me “mi amor,” as a kind of a playful game that is created through this interaction. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b19ccd51cd4f9d1c9d8b5/1472141384856/ '4-'9 - Trpl Quince Robert Flynt 2013. 2:49, video installation as component of performance collaboration with Octavio Campos and David Fishel This video was created as the visual component of the performance piece "Trpl Quince" by Octavio Campos, originally presented in October 2013 at Miami Light Project's Light Box. It was projected over a black architectural interior of varying depths, overall about 12 feet high by 50 feet wide. A variation was presented at the Baryshnikov Arts Center, NYC in January 2014. The imagery was created by Robert Flynt in 2012 and 2013 in collaboration choreographer/performer Octavio Campos and other performers. David Fishel edited and scored the video with music by Kraftwerk. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1c69a3360c478686279e/1472141384863/ '4-'9 - Sequential Interactions Anna Garner 2013. 1:57 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1c95a3360c47868628b5/1472141384910/ '4-'9 - Simply Irresistible Cooper Holoweski 2015. 4min 40 sec, Sketchup 3D modeling software Simply Irresistible is an video loop depicting the aftermath of excess. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1cb5a3360c478686297f/1472141384950/ '4-'9 - Plucking Joanne Howard 2012. 37:00 This single shot video examines aging, gender identity, appearances and vanity through the grooming ritual of eyebrow plucking. This ordinary and precise exercise becomes a gesture of self destructive transformation as the brow is methodically replaced and reconstructed as a moustache. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1cd0746fb9d0d022b6ed/1472141384953/ '4-'9 - Sons of Bidzina Kolbeinn Hugi 2016. 2:39, Reykjanes Peninsula, Iceland, Video A documentary piece on ownership of energy and allocation of vast natural resources to make an abstract entity in Iceland https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1d13746fb9d0d022b89a/1472141385028/ '4-'9 - Anonymous Interview with J Devin Kenny 2012. 13'53", USA, Single Channel Color Video with sound An interview with a speaker whose face is obscured and whose voice is distorted, details a secret meeting taking place in the early 1990s, establishing a partnership between major entertainment industry players and the private prison industry. The testimony provided albeit having some verifiable facts is eerily similar to one circulating online virally, calling to attention the Internet as a space of both information and myth. This video was also used as a component of a multimedia performance accompanied by new original music. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1d6c1d07c00256b13524/1472141385021/ '4-'9 - Saying Goodbye Baseera Khan 2016. 46 seconds looped At the end of performing prayers, to some, one turns their head right, then left, then right again. You are saying good bye, you may never return, you may return again. One never knows. You are a new form nevertheless. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1d9df8baf362c3a7a1de/1472141385039/ '4-'9 - Edyn in Exile Sarah Lasley 2015. 11 minutes, HD video Fleeing her small town, Edyn Panache heads to the desert seeking transformation. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1e0a044262e83c5d2f40/1472141385103/ '4-'9 - This Is Where Wool Comes From J. Louise Makary 2014. 07:15, HD video, Skowhegan, ME In conventional sheep-shearing, the shearer catches a sheep from the pen and removes its wool in a standardized set of moves designed to immobilize the animal and avoid injury. This video uses the movement vocabulary of shearing, with a woman instead of a sheep, in a dance of aggression and tenderness that forces shifts in the perception of dominance, empathy, and passivity. Performed by trans-identified artist Madsen Minax and director J. Louise Makary, the choreography brings gender and identity to bear on intimate material that is often seen as neutral in its farm context. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1e2186db43c725bf277c/1472141385134/ '4-'9 - And as you light the incense stick I pray that your fingers may burn Jonatah Manno looped A woman, a vagabond, repeats the same actions over and over. She falls in love with objects, she hates their colour. She asks if she could be dressed in mirrors. She lives near a landfill and sometimes she’s heard singing a mantra. She likes to repeat herself and remain absent, to miss herself for eternity. She lives in a large European city. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1e4186db43c725bf285f/1472141385195/ '4-'9 - Forward into the Afternoon Madsen Minax 2014. 5:13, San Francisco, CA, HD Video After an instructional road trip to the ocean a figure communes with stray dogs to build seaside graveyards, petit and monumental sand mountains, and nourishes the sand graves with fresh breast milk. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1e84044262e83c5d3414/1472141385206/ '4-'9 - Who's Afraid of Red Yellow & Blue & Green Rosalind Murray 2011. 2 min 30 seconds, HD VIDEO For LATERAL CANAL AHEAD with the Cambridge Arts Council in 2011 Rosalind Murray made poetic, formal, historical, and playful trade links between the urban environment of the city of Cambridge, USA, and the rural environment of her home place, Carlow, in the River Barrow Valley in Ireland. Inspiration and curiosities from a parallel past of industry that shapes our lives and landscapes resulted in a video series of Murray’s extreme paintings composed in Colorfields around Carlow and the former ice field in Cambridge including ‘Who’s Afraid of Red Yellow & Blue & Green’, ‘Sugar Wos Ear’ and ‘Ice Field Baby’. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1e9e746fb9d0d022c27d/1472141385307/ '4-'9 - JASH's Very Animated People - Sarah Silverman MJ Offen, Executive Producer with JASH & Titmouse Animation Studio 2016. 00:03:33, Los Angeles, animation Television is more real to Sarah Silverman than her actual life. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1ed0044262e83c5d35e9/1472141385325/ '4-'9 - From the Rim: Observation Station David Politzer 2015. 1:18 min., SPACES Cleveland, 25-channel video installation Documentation of a 25-channel video installation at SPACES, Cleveland. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1eea044262e83c5d3694/1472141385355/ '4-'9 - White Out Birgit Rathsmann 02:25, stop motion animation, music by Box Set Authentic A digital blizzard erases two men in the park. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1f03044262e83c5d374a/1472141385373/ '4-'9 - The Perfect Moment Jaye Rhee 2015. 2 channel video installation with sound, Total runtime: 12 minutes The two-channel video depicts an old veteran dancer talking about her experiences. Her story has three parts: First, she talks about her experience as an only-audience of a famous modern dancer's solo piece. Second, she describes her first debut performance. She tries to describe the movements orally in detail while a young dancer simultaneously re-enacts the story in a bright empty studio. At last, the old veteran dancer recalls the perfect moment that she has experienced in her first solo performance. And again, she tries to describe the moment as detailed as possible while the young dancer still re-enact the moment and the movements that she describes. The story and the dance however do not perfectly match throughout the piece. There are discrepancies: first, between the older dancer's story and the actual dance she performed long ago; secondly, between the younger dancer's rendition on the perfect moment and the older dancer's recollection of the moment and so on. While younger dancer does not replicate the original moment precisely, it still becomes her own perfect moment. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1f27746fb9d0d022c7cd/1472141385396/ '4-'9 - The Film With No Man Trilogy 2010 Bert Rodriguez 2010. 08:38 A reinterpretation of "The Man With No Name Trilogy" films by Sergio Leone starring Clint Eastwood only every scene including any actors has been removed. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1f44746fb9d0d022c89e/1472141385513/ '4-'9 - KOKO's Love: Episode 1 (Full Length Version) Yoshie Sakai 2014. 11:14, single-channel video "KOKO’s Love" is an original East-Asian/Asian-American hybrid soap opera that re-imagines the melodramatic tropes of TV dramas to challenge the myth of the “model minority” and reveal the guise of superficial “perfection” of being both Asian-American and a woman. It is about a Japanese-American family, whose patriarch, Hiroshi, is a liquor store owner in South Central Los Angeles that annoyingly insists on the importance of having a male inherit the family business and not a female, his only child, a daughter named Yuki. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1f69746fb9d0d022c994/1472141385480/ '4-'9 - On Top of National Anthem (Postponement of National Anthem), 6:00-6:02AM, Nov,9 , 2015. Ayo Yunyu Shih 2015. 3'49", Colombia This is a documentation in Honda, Colombia. In Colombia, it is written in the law that National Anthem has to be played at 6AM through radio. I asked the state radio station, FM 90.5 OLIMPICA, to replace Colombia National Anthem by a sound recording I made from the Honda mountain. The sound was coming from a terra nullius in Honda mountain, in between the land of guerrilla, paramilitary and local government. They approved my request, but different from the proposal, the radio station started to broadcast the National Anthem from 6:02 AM. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1fba044262e83c5d3c14/1472141385493/ '4-'9 - Spirit Tours 2004 Spirit Tours, a collaboration between Dave Hardy and Siebren Versteeg 2004 5:38, Skowhegan Campus, DV Spirit Tours is an exciting and new company offering a virtual driving out of body experience which combines the power of high technology with the comfortable and familliar interface of the automobile. Here at Spirit Tours, your patronage will literally allow you to see yourself from above. So relax, watch our promotional video explain the process and enjoty the view, you just might make a friend or two on Spirit Tours. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1fce356fb0e91ba74c4b/1472141385591/ '4-'9 - OMG Abbey Williams 2016. 06:09, DV w/sound “What a piece of work is a man! How noble in reason, how infinite in faculty! In form and moving how express and admirable! In action how like an angel, in apprehension how like a god! The beauty of the world. The paragon of animals. And yet, to me, what is this quintessence of dust? Man delights not me. No, nor woman neither, though by your smiling you seem to say so.” -Shakespere https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1fe9044262e83c5d3da8/1472141385550/ '4-'9 - untitled (natural sets) Magdalen Wong 2014. Iceland. video with sound. This video is part of an installation where two projections overlap and are projected onto a wall of chocolate bars. The background projection was a frozen lake in Iceland. The smaller projection is a video compiled of sci-fi movie clips shot in Iceland. The sound is a collection of recordings from different refrigerators in a supermarket. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b1ffd044262e83c5d3e56/1472141385633/ '4-'9 - Dreaming of Life Jayoung Yoon 2016. 9minutes, Single-channel video, Director/Editor Jayoung Yoon, Director of Photography Zachary Skinner, Music by Matthew Tanner For this video, I am inspired by a quote from Buddha. Buddha said, “objects have no reality in themselves but are only seen in the mind and, therefore, are of the nature of maya and a dream.” What if this life is merely a projection of our mind, and our bodies are made by our mind? I made a skull out of human hair. In the video, I deal with a dualistic illusion of life. The experiences from birth to death are dreams of the mind. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/57617e6eb09f9513785e2f66/1472141384597/305.jpg '4-'9 - Rich Interior Heather Bursch 2012. TRT: 38:00, 8:00 (excerpt), SD video with sound, shot in a single take. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/57617f287da24fb8da49eea7/1472141385311/ '4-'9 - Congratulations! You are still in the running for becoming! Ann Oren 2015. 9 minutes The logic of a reality show is taken into nature. Trees are cast as characters and real quotes from various reality shows are woven into their script. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/57681deff7e0abe43a69638e/1472141384672/560504656.jpg '4-'9 - THE UNDERMATH Christopher Earley 2016. Featuring: Tom Craig, Sophia Chetin-Leuner, Kate Hesketh, Oliver Khan, Chris Lynch, Séan Lynch, Julia Mantell, Chloe Petts, Justin Wells, Ben Whittle https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/576c02792e69cfe8cbce9f6d/1472141385195/555030954.jpg '4-'9 - Oh My God, Maggie Holli McEntegart 2016. Single channel video, 4:49, https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/57bc83e203596e36aed68392/1472141384459/ '4-'9 - Nothing Else (excerpt) Seline Baumgartner 2014. 2 channel Video, 12:00 (EXCERPT 4:00). “You don’t see Seline Baumgartner in her art, at least not directly: you see instead her steady gaze, those warm eyes open and trained on others. In her recent videos Baumgartner has been collaborating with New York dance royalty: Sally Gross, Meg Harper, Jon Kinzel, Keith Sabado, Vicky Shick and Robert Swinston. None of these performers are young, a fact that has been made much of in most of the writing about this body of work. But this fact is almost entirely uninteresting, really, other than what it reveals about tedious Western expectations around bodies. The real point here isn’t age, but experience, and how it deepens artistry. Small, subtle shifts of weight, of gaze, of intensity, these all take on outsize implications—the point is never what these individuals do, but how. Baumgartner gives the space for these implications to ripple out, overlap, interrupt…creating the most satisfying sort of portrait, the non-narrative one. There are many complicated intellectual scaffolds one can erect around the intersection between camera and body. But there are also wordless pleasures. All that the doer does. All that the seer perceives. This is something besides. The way time moves, catches, redirects. The frame is full; and then it is empty.” - Excerpt from a text by Claudia La Rocco https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/57bc85a5725e25f9d00c3350/1472141385127/ '4-'9 - The Eulogy Shaun Leonardo 2015. Performance video - runtime 25:07, Yerba Buena Center for the Arts, San Francisco, CA, 6/12/15. Videography and editing by Ben Leon With MJ's Brass Boppers. The Eulogy, commissioned for the San Francisco presentation of Radical Presence, takes Ralph Ellison’s 1952 novel Invisible Man as its starting point. As Leonardo performs the speech given by the novel’s narrator at Brother Clifton’s funeral, a local brass marching band performs a routine that mimics the impact of the speech, interweaving the artist’s words with choreographed moments of confusion and disorder. These words serve as a memorial, a rejection, a challenge, and call to action, all at once. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/57bc8fd4197aea1442e1a4a3/1472141384491/ '4-'9 - An Attempt to Make a Perfect Play Maria Buyondo 2016. Single channel video, Film montage. TRT: 21:00, 5:00 (excerpt), Gothenburg Sweden. The main character in An Attempt to Make a Perfect Play is mine 88 year grandmother. The film begins and ends with a scene from the Drottningholm Theatre where my grandmother emerge as the opera singer, she dreamed of becoming. In between, the story of her life in the Soviet Union as a celebrated actress, but whose career was curtailed by external circumstances. With a montage -like technology laps interviews with my grandmother made in recent years with excerpts from diaries and clips of Super 8 movies taken by a family member in the sixties. The story unfolds in a dialogue between two women from different generations, but faced questions about the past. Through the film my grandmother having difficulties to distinguish the different time layers from each other. However, what happens on the stage and in the song is that it suddenly occurs an alloy of the present and the past. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/588fb19d6b8f5bb9cf30a15a/1485812359601/ '4-'9 - That In Itself Allana Clarke 2015 00:06:03, NYC, recorded surveillance camera footage video This piece was created in collaboration with artist, Joe Scanlan as part of his larger project titled, 'L'oeil Vigilant'. A poetry project in the form of a surveillance feed for your smartphone. I created a poem that revealed itself over the course of 35 days, viewable live via an app called SwanViewLink. Each frame is a 1 minute clip of the 24 hour feed for each day. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/575b13d959827ebb4966ca17/575b15fdf7d1ff3b54b4e874/1465587196959/ '4-'9 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/t/588fb2b1bf629a78f13b32df/1466094929990/ '4-'9 - Penelope Noor Abed 2014. Excerpt from 06:28 min 16mm film, silent. Inspired by the Odyssey, based on Homer's epic poem from Greek Mythology, this work is based on the concept of myth; its position in history and relation to the present and the imaginary. This film was shot in Palestine, attempting to reflect a reality other than the one history offers. Here, myth could be seen as a collective dream and public imagination. http://skowhegan.watch/3-8 daily 0.75 2016-11-08 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf1798440243ce48ac9a5f/1478641019793/ '3-'8 - Palace Samantha Adler de Oliveira 2013. 10:50, Jerusalem, HD video. The Palace was once a grandiose hotel built by the Mufti of Jerusalem in 1929. Long abandoned, the building has recently been placed under the management of Waldorf Astoria and entirely gutted so as to preserve only its historical façade. "Palace, 2013" is the artist's second collaboration with the workers on the construction site of Waldorf Astoria Jerusalem. It presents a series of three atmospheric tableaux inspired by the formal qualities of the site and its history. By means of simple props and actions, the order of the site and its daily labour routine are disrupted, allowing for a multiplicity of resonances to occur. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf1898f5e231e3293c950c/1472146108298/ '3-'8 - Crossfire Iana Amauba 2016. Total Runtime 9:43, Narrative Short-film. Everyday 19 year-old stripper, Shawanda Jackson, takes the bus to work--until one day, the bus doesn’t show. At the bus stop with Shawanda is Gregory, a smelly bum whose desolate presence bothers her. Brandon, a second homeless man, also ends up at the bus stop and the interactions between the three fuels an argument about who does or does not have the right to be there and essentially, who is or isn’t of any value to society in general. Eventually, the argument reaches the point of no return and Gregory becomes the final note on this symphony of who’s right and who’s wrong. Starring: Marshae Dangerfield, Nathan Nelson, Ryan Frenzel Also Starring: Grace Horner, Keez Smith Written/Directed/Edited By: Iana LN Amauba Assistant Director: Liz Vaughan Director of Photography: Robert Schmeltzer Music By: "Cello Suite No. 2 in D Minor, Prelude (Solo Cello)" Performed By David Hamilton, Written By Johann Sebastian Bach / "Habanera" Performed By Leo Symphony Orchestra Written By Georges Bizet / "Progressive Mist" Performed By Jared C. Balogh Written By Jared C. Balogh alteredstateofmine.net "Dark Smile" Performed By David Szesztay Written By David Szesztay needledrop.co/wp/artists/david-szesztay/ "What You Talkin Bout Instrumental (Mekka Don)" Performed By 6th Sense Written By 6th Sense notherground.blogspot.com https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf1b00e4fcb5962dc67e06/1472146108351/ '3-'8 - Aqua Mapping (Kochi) Avantika Bawa 2013-15. 9:39, Kochi, India. Aqua Mapping (2013-15), is a three-part journey that responds to a site’s coastal history, topography, and climate. In each voyage, a large inflated orange ball is towed or carried on various boats. The routes that each of these boats take are partly informed by journeys of historic, commercial, and military significance. Each documented journey, presented through a combination of still images and video, attempts to actualize the dotted lines that serve as signifiers for these routes on maps. Part 1: Aqua Mapping (Kochi), engages with the routes of maritime trade in southern India, in addition to the routes of the local fishing vessels and passenger ferries. Part 2: Aqua Mapping (Baltimore and Annapolis) explores commercial and military routes in the waters of the Inner Harbor and Chesapeake Bay. Part 3: Aqua Mapping (Astoria) highlights the rugged coastline of this historic port city and “Graveyard of the Pacific.” https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf1b86d1758e929612b5cc/1472146108506/ '3-'8 - See JD Beltran 2011. 00:37, San Francisco, CA, Video, Custom flipbook animation, photography. "See" explores the act of looking—and looking at looking—through a flipbook film of eyes of myriad kinds and colors. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf1f4b2994ca602b6ba6d6/1472764165336/Screen+Shot+2016-08-25+at+2.13.49+PM.png '3-'8 - Vacant Address Caitlin Berrigan 2016. 12:42, Berlin, Germany / Beirut, Jounieh, Lebanon, HDV with Audio. This essay video explores speculative real estate, between an unfinished hotel perched on the ledge of the Mediterranean in Lebanon, and empty condominiums in Berlin that are still seeking affluent occupants years after completion. Textures of the architecture itself are deployed as a spatial exploration of ambient financial power and imagination. Space becomes an empty vessel for capital—but holds a desire for possible futures. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf20ae1b631b22d6523cd0/1473275938378/ '3-'8 - Exit the Mall Prerna Bishnoi 13.37 minutes, HD video Exit the Mall, is an impression of the enclosed, manufactured world of the shopping mall as a microcosm as well as a spatial product (Keller Easterling) in the contemporary urban landscape of Bangalore, India. Drifting along in a shopping mall, a narrator encounters serious mall-goers following mall-y codes of conduct, uncovers exciting anecdotes as well as recounts banal sightings, as she makes her way to the EXIT. The film experiments with different modes of narration of space. It is constructed primarily from documentation and testimonials from the players of two live-action, pervasive games designed by the artist and played in a shopping mall in Bangalore; along with text from #mallsonsocialmedia and other ubiquitous imagery that the world of shopping malls throw up. This film is part of a larger project titled M.A.L.L. The entire project and its contents can be viewed here: http://prernabishnoi.weebly.com/mall.html   https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf219f197aeadc4f56f2ec/1472759534770/ '3-'8 - A Kline Karousel Domenick Capobianco 2015. 2:28, Youtube/Studio, Sculpture reproduction of Kline Painting animated. Frans Kline Painting 'Untitled' (now in the Virgina Museum at Richmond, Virginia) put into motion. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf2224414fb5d68f57bbfc/1472146272149/ '3-'8 - Zwayon Andrea Chung 3:11, Video This piece was commisioned for the MoCADA exhibition, "Ain't I A Woman." Although Shakuntala Hawoldar’s poem, "To Be a Woman," speaks of the body as a used, characterless, and domesticated object whose only means of escape is to sleep, I find her poem ill fitting of many of the women I met in Mauritius. In Zwayon, I am interested in the ambiguity of the women’s tears. Each woman is placed in the same environment and responds according to their individual personalities. I ask the viewer to question the causes and sincerity of each woman’s response. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf251529687fa902de4412/1472496134212/ '3-'8 - Adrift Xavier Cunilleras 2015. Excerpt. multi channel, Super 16mm transfer to HD, Color, sound 07 min. 21 sec. (loop) edition of 3 Adrift depicts the landscapes travelling from south Mexico to the U.S. border by train. Based in an exploratory approach in terms of concepts, meanings and used media. A meditative approach to a territory, investigating the complex relationships between the environment and ourselves, using contemporary meditation on romantic landscape and the romantic individual. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf25dbbe65941ee0bf5e77/1472144910276/ '3-'8 - Forget me not, as my tether is clipped Zachary Fabri 2012. 14:50 min, 16 mm black & white film. Filmed on October 16th, 2012, in Harlem, NYC in Marcus Garvey park and the corner of 125th street and 5th avenue. Premiered in the exhibition Fore, at the Studio Museum in Harlem on November 11th, 2012. This work was made possible, in part, by the Franklin Furnace Fund supported by Jerome Foundation; the Lambent Foundation, and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf273ad482e95500f06289/1472145265011/ '3-'8 - A HOLY ORDER Ben Fain 2013. 19mins 45sec. Illinois. VIDEOGRAPHY: Yoni Goldstein (Director of Videography), Meredith Zielke, Carrie Schneider, Ben Fain CAST: Executioner/Doctor Dr. Russell Schneider Ambulance Driver Lindsay Rat Priest Matt Dupont. MUSIC: Jerome Baez: “HOLLER” “MIIORIII” “VENTURE” “WHITE BIKE” (From the record Summer Dust) ALERT “Scorpius” (From Demonicon) Nathan Davis: “The Bright & Hollow Sky” Performed by the International Contemporary Ensemble (ICE) Additional Sound Contribution Ronen Goldstein https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf29f5be65941ee0bf9e9e/1472764181306/ '3-'8 - Follow Nicholas Fraser 2015. 8:42, single channel video. Fascinated with the variety and inventiveness of urban signage and seeking ways to create text-based videos, I began filming storefronts in 2010. My quixotic goal was to collect a comprehensive video-based lexicon as raw material for my own projects. Only later did I realize the 2,400+ videos also function as a manifold portrait of contemporary urban life in public spaces. Each video captures the day-to-day activities of the streetscape, documenting a wide ranging portrait of 21st century culture. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf2a532e69cf01da3d8cda/1473283860410/ '3-'8 - POLVAREDA Mauro Giaconi 2016. 3min 26 sec, México City, Digital Video B&W Stereo sound. POLVAREDA show a close up off a everyday situation in a construction workshop, the dust reaction with the vibration off any machine, in this case a drill making a hole in a stone. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf562a6b8f5b66f8b5cd16/1472684873351/ '3-'8 - BIRDS(S) Andrew Ginzel 2008. An elegiac work, Bird(s) considers the apparent schism between human intention and our abilities to comprehend and manage innovation relative to nature. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf59e36b8f5b66f8b5fdaa/1472158216040/ '3-'8 - Skowhegan Slide John Gonzalez 2008. digital video, 1:15 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5a5a46c3c44c7d48718a/1472764303476/ '3-'8 - A Self Made House Lydia Greer 2009. 17 minute looping video installation stop motion animation, found footage and video. "ASMH opens with found footage of the artist Lydia Greer’s stepfather telling a family folktale of two sisters, a violent hog, and a house that forms itself. Much like the way the story is told, Greer shapes this film through hand-made animation, performance, and shifting narratives. Greer lets the story (and the house) build itself through the assemblage of divergent genres, interpretations, and narrative devices." ~Rose Khor Curator, Santa Clara University Video Exhibition Memory Mine See my website for installation views. lydiagreer.com/art-film/a-self-made-house-video-installation In the installation A Self Made House, (2009) the viewer enters a theatrical 12'x 12' structure built in the gallery through a golden membrane like curtain, drawn in by sound and light. She is asked to commit to the time and spatial nature of the piece by the performance of this action. Inside is a projection; A strange family folk tale captured on low-end video told to me by my stepfather shortly before he died and mirrored with my own revisions and interpretations of him and his strange story in both film and stop motion animation. His story is told in a self-made reflexive improvisation, a form mimicked by the animation. The viewer is asked to complete the story by watching and listening, a final act of construction. A Self Made House has been installed as an installation at The Berkeley Art Museum (2009), Santa Clara University Art Gallery (2010) and the Portland Experimental Film Festival at Gallery Homeland (2012) and has screened at the Pacific Film Archive, Temescal Street Cinema, Royal None-Such Gallery, Interface Gallery and Oaktown Indie Film Festival. "Lydia Greer’s spare retellings of her family stories belie their own complexity. Using the imperceptible twenty-four-frames-per-second rhythm of live-action film rather than the ten to twelve frames per second of typical animation, Greer assigns characters to simple objects and allows them to enact oblique narratives about consumption, youth, and political upheaval. This minimalist animation is preceded by segments of live video, allowing the artist to transfer the responsibility of storytelling from the narrator to the viewer, exploring the form of the “play” as an active exchange."~ Berkeley Art Museum curator Dena Beard https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5b0446c3c44c7d487a23/1472158522580/ '3-'8 - Fortress Moo Kwon Han 2012. Lower Manhattan Cultural Council (Workspace Program), hd blu-ray Dimensions Variable (50" HDTV) As Discoverer, I explored Governors Island. It is abandoned island in the winter and I felt as a time traveler to the past and another country. I imagined as a sentry who lived hundreds years ago and his thoughts. The performance video intends to visualize my imagination clearly. Poetic captions are the narrative diary of adventure. I reinterpret love and life philosophically. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5b582994ca9ae9e81426/1472158606559/ '3-'8 - Reflected Light on White Wool Pillow / Family Ties Noah Klersfeld 2016. HD Video, 8 minutes Filmed in the dark, “Reflected Light with White Wool Pillow / Family Ties,” shows a white pillow that is colored by light emanating from a television set playing the sitcom "Family Ties." Broadcast in 1986, this episode of “Family Ties” depicts the aftermath of the death of a dear family relative. Temporally reconfigured, the video weaves together colors from different scenes into a single frame and layers the audio to collapse the comedy laugh tracks onto the more somber moments of personal reflection. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5bdaf5e231226982813a/1472158738673/ '3-'8 - Breath Final web Chelsea Knight 2013. 23 minutes, Single Channel Video. This video focuses on a woman's ambivalence about motherhood, childbearing and marriage from a Second Wave Feminist perspective. It also investigates her daughter's fears and challenges regarding her own marriage and motherhood, and the ways she feels she is performing herself in those roles, from a Third Wave Feminist perspective. Interviews, monologues, impromptu improvisation and fictional fantasies are included in this story about love, feminism and performance. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5c48c534a52224dee081/1472158871540/ '3-'8 - Spot 605 Tongue Drawing Mores McWreath 2016. :30, Brooklyn, 1080p HD video. A video featuring myself performing a variety of movements with my body/tongue that have been transformed into a drawing using animation. Yes! https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5cc846c3c44c7d4891d6/1472158988085/ '3-'8 - Untitled (Redactions) Christopher Meerdo 2014. 3'18", HD video with sound. Camera flashes culled from youtube videos of 10 years of international civil unrest. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5d19ff7c50b7ffb97624/1473008780653/ '3-'8 - Concrete Fabiola Menchelli Tejeda 2013. 1:15 min Grounded in photography Menchelli's work crosses boundaries between that medium, sculpture, drawing, painting and new media. Concrete creates a binary code between the positive and the negative frames of a picture, animating the visual process of a photograph. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5d6859cc684d31970982/1472159217674/ '3-'8 - Sraith Reflections David Moore 2016. 6:28, Freedom, NH, images of paintings and video with music composed by Janet Welby This video encompasses meditations over the past five years at Loon Lake in Freedom, NH. It includes a composition entitled "Loons" composed by Janet Welby and performed by Elizabeth Conners on Clarinet, Carol Epple on Flute, and Steve Sussman on Piano at the First Parish in Bedford MA. Sraith is the Scottish Gaelic word for a range of meanings that includes “layer, stratum, line, music progression, series, and cycle”. As a painter I work on location in Ireland, Taos NM, and Freedom NH to create different series of paintings https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5e0bd482e9905a6974ad/1472159387372/ '3-'8 - painting workshops Lorna Ritz 2016. 3:00, Amherst, MA images of my painting studio and school an discussion about painting/teaching are embedded https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5ec04402430af25772c2/1472159461688/ '3-'8 - Guadalupe Patricia Valencia 2015. 1:41 mins. HD video. A portrait of working hands at rest. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5ef6e3df2854ac621952/1472159520923/ '3-'8 - Saints, 2013 Jonathan VanDyke 2013. 12:39. Performed by Eddie Martinez, Davon Rainey, and Jonathan VanDyke. Created with the support of Transgressor Magazine. A video painting. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf5f2fe6f2e1b7ffe79f14/1472159580355/ '3-'8 - DUÆL: Lee + Man Tabitha Vevers 2014. 5:10. The dynamics of the stormy love affair between legendary artists Man Ray and Lee Miller are expressed through the rhythm and sparring of two metronomes bearing images of their eyes. Based on an artwork of the same title created by Tabitha Vevers, DUÆL: Lee + Man references Man Ray's Object to be Destroyed and photographs that Lee and Man took of each other. The film was made in collaboration with Anthony Sherin. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/57bf15b6b3db2b9f084b5fd5/57bf179d0f20f3c09ccd7b97/1472141208981/ '3-'8 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/t/5822457bf5e2319c01cff2e7/1478641019793/ '3-'8 - Palace Samantha Adler de Oliveira 2013. 10:50, Jerusalem, HD video. The Palace was once a grandiose hotel built by the Mufti of Jerusalem in 1929. Long abandoned, the building has recently been placed under the management of Waldorf Astoria and entirely gutted so as to preserve only its historical façade. "Palace, 2013" is the artist's second collaboration with the workers on the construction site of Waldorf Astoria Jerusalem. It presents a series of three atmospheric tableaux inspired by the formal qualities of the site and its history. By means of simple props and actions, the order of the site and its daily labour routine are disrupted, allowing for a multiplicity of resonances to occur. http://skowhegan.watch/2-7 daily 0.75 2016-11-29 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5822459cd482e996e759deb4/1478641140045/ '2-'7 - WATERSHED Anita Glesta 2012, 2015, 2016 New York, London, Ellis Island. Public art projection WATERSHED will be a pioneering new media technology work that is collaboration with scientists and with politicians, a way to further the role of artist as social activist. WATERSHED confronts the viewer with the scientific narrative of climate change in the form of integrated text and live footage of the polar icecap melts in Greenland. Through its arresting beauty, it provides an uplifting, immersive experience. The images in the video are frenzied fish in flooding. I will use local fish in the video as well as the existing near extinct Piracuru fish that I shot in Colombia, South America. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5822461629687f5694108d4f/1478808633969/ '2-'7 - MY MOTHER HER HUSBAND 10 DESIRES Matt Taber 2016. 12:44; Detroit MI, Boston MA, Brooklyn NY, Chicago IL "MY MOTHER HER HUSBAND 10 DESIRES" is an 11-channel video installation produced for the exhibition "I want You to want Me" at YOUNG WORLD Gallery in Detroit, MI. The channel presented is the main channel from the installation. Documentation of the original installation at YOUNG WORLD can be found at http://matt-taber.com/iwantyoutowantme.php https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5823a504be6594c06e6b678e/1478816469922/ '2-'7 - The History of the Fist Itziar Barrio 2014. 16' 13", HD. The fist is a ubiquitous symbol, which has amassed myriad significance throughout the epochs of recorded time. Following its trajectory through historical and fictional narratives, the fist is the central character in the video piece. The History of the Fist inspects this history with a rhizomatic approach. The settings of a strip club, a cave, and a lab become stages, which act as portals through which we travel through time and space, conflating different iterations of our central character. Acknowledging references to violence, labor, social revolutions, and gender, we see the evolution of the fist coming into its own as a symbol – standing alone, severed from the body. The History of the Fist was co-produced by the Museum of Contemporary Art, Belgrade (MoCAB), ARTIUM Basque Museum-Centre of Contemporary Art and Salzburger Kunstverein, Austria. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5823a5899f74566fdc03b3a8/1478731218886/ '2-'7 - The Father The Sun and The Holy Road Don Edler 2015. 25 min, Dominican Republic, USA, HD video, English with Spanish subtitles An experimental documentary that follows two parallel religious journeys, a long road and a long life. This film explores my relationship to art making and the roots of my practice. By juxtaposing documentation of a pseudo-pilgrimage trip I made in 2014 with an interview I conducted with my father about his life and work, I tried to illustrate the foundation of my approach to my own practice. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824d455893fc01a69c84496/1478895158312/ '2-'7 - Gaegori (Tree Frog) Linda Molenaar 2014. 10 Min. Yatoo (Nature Art), Wongol, South Korea. Performance Digging a hole in the ground and half of "The Tree Frog" disappears upside-down into circles of sand that symbolize water. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824d4c7be659439b5901752/1478808821823/ '2-'7 - The New York Artist-Run Galleries You Need to Know, Part II Jesus Benavente 2015 1:20, video Video in which my performance character, BENAVENTE, reads through a 2015 list based article in a contemporary arts publication https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824d70e6a49638292dca327/1478809762523/ '2-'7 - The Tuba Thieves: The Deaf Club Alison O'Daniel 2015. 06:17, filmed in NYC, HD video / 16mm / VHS The Deaf Club is a recreation of a little known historic punk concert that was hosted by Bruce Conner in 1980 at The Deaf Club in San Francisco. In the late 70’s, the Deaf Club, an actual meeting place for the Deaf, became a venue for a growing West Coast punk scene. Bands such as The Dead Kennedy’s and The Misfits would play in a ballroom cum meeting room as the Deaf community carried on their own social scene, but also enjoyed the shows. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824d987be659439b5906f6c/1478810061017/ '2-'7 - The Body (excerpt) Taylor Baldwin 2012. Single-Channel HD video, excerpt: 7m 45s, original: 41m 06s This video contains a series of excerpt from a longer continuous work. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824da4a15d5dbdff539353f/1478895133977/ '2-'7 - Creating Current - A Collaborative Installation Karen Yank 2015. 9mins 35sec., Public Art Project by Karen Yank, Video by Nickolas Lormand Junction Place Bridge and Plaza at Goose Creek, documentation of custom galvanized fabricated steel sculptures with some areas darkened with black patina, City of Boulder, CO My use of these materials creates a new tactile presence, to my knowledge, not often seen in public sculpture at present. The custom galvanizing depicts an organic marble type finish unique in metal works. The silver is light and bright, but not too reflective, while the black is dark and rich yet very natural. This process of metal work is incredibly durable, coating the sculptures inside and out, requiring virtually no maintenance. My design features circular shapes reflecting the overall curvilinear lines seen in the overlooks, retaining walls and pavement patterning throughout the plaza, while echoing the arc ways of the historical train depot itself. I like to incorporate circular images and intersecting lines into my sculptural works because of their rich thematic reference through history. My curvilinear sculptures tumble or roll across the abutment wall creating a sense of energy and motion which also mimicking transit vehicles such as bicycles, cars, trains but most importantly, the flow pattern of the currents of Goose Creek. My artistic concepts employed are elegant and contemporary, “of its’ time”, keeping with the larger aesthetic for this entire project. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824df99be659439b590dc7a/1480438287242/ '2-'7 - Harvest Chaja Hertog & Nir Nadler 2013. Duration: 11: 09. Choreography: Aitana Cordero Vico. Production: Family Affair Films. Supported by the Netherlands Media Fonds and NTR in collaboration with Cinedans An abnormal phenomenon in an olive grove draws riot police to suppress the uprising. Winner Best Film, ON SCREEN festival, Oslo, Norway Winner Best Cinematography, WIZ ART International Film Festival, Lviv, Ukraine. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824e05b725e25c3efef67b9/1478811805242/ '2-'7 - Patriot Steed Taylor 2015. Manhattan, NY; 1:34 minutes https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824e0b729687f648085fb64/1479318277355/ '2-'7 - Signs of Flood (documentation 3) Bang Geul Han 2016. 2m 38s, computer-based real-time video installation The software behind this video installation aggregates headlines from Google News and Twitter in realtime, all of which include the phrase “Flood of...” The program then turns the headline into an endless video stream of a woman reading aloud the phrase by piecing together hundreds of pre-recorded word video clips. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824e128e4fcb52eadc69f72/1479318704626/ '2-'7 - TIE DIE BLANKEE FOR GRAM Justin Plakas 2016 3:31, Washington DC, Digital Animation Digital Sculpture inspired by my Grandma. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/5824e18829687f6480860a5b/1478812136397/ '2-'7 - Bli Neder Traci Tullius 2015. TRT: 1 hour, 25 minutes; New York, NY; single channel video with sound. A durational piece that proceeds in real time, Bli Neder (Hebrew meaning “without a promise”) was completed with the assistance and collective input of a small group of my video students at Yeshiva University’s undergraduate women’s college. The conversation is unscripted, and the action, except for a minimal outline, unchoreographed. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/58224526197aea6b50ebbc14/582245b2c4d04b38d92b5a70/1478641052955/ '2-'7 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/t/583db20fe6f2e18631e7102a/1478816469922/ '2-'7 - The History of the Fist Itziar Barrio 2014. 16' 13", HD. The fist is a ubiquitous symbol, which has amassed myriad significance throughout the epochs of recorded time. Following its trajectory through historical and fictional narratives, the fist is the central character in the video piece. The History of the Fist inspects this history with a rhizomatic approach. The settings of a strip club, a cave, and a lab become stages, which act as portals through which we travel through time and space, conflating different iterations of our central character. Acknowledging references to violence, labor, social revolutions, and gender, we see the evolution of the fist coming into its own as a symbol – standing alone, severed from the body. The History of the Fist was co-produced by the Museum of Contemporary Art, Belgrade (MoCAB), ARTIUM Basque Museum-Centre of Contemporary Art and Salzburger Kunstverein, Austria. http://skowhegan.watch/1-6 daily 0.75 2017-02-07 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb439414fb5fb0fc4e101/1485813212833/ '1-'6 - Autumn Deborah Anzinger 2016. 07:12, single channel video and sound My work is an exercise in testing the limits of an understanding of existence that is hybrid and indeterminate. I create spaces where material value determined by convention is challenged by chance, choice, play and fluidity. The viewer is invited into the transgression of systems at play; intimately witnessing new negotiations of value created within it, and the space this opens up. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb6001b631bc1f8393058/1486497424912/ '1-'6 - Rocks, with Salt Janaye Brown 2014. TRT: 03:21, Brooklyn, NY, HD Video, Color, Sound Afternoon, the beach, late summer. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb68615d5db25d4d053c7/1486497424877/ '1-'6 - Both Sides Now Alan Caple 2015. 5min38sec min video Both Sides Now: After Anger is part of a larger series, The Evil In All Things, which is inspired by the complicated figure of Satan in Milton’s Paradise Lost. Here, we follow cast members playing the part of the Rebel Angels after a lukewarm opening night for their stage production of Paradise Lost. Featuring Alan Calpe, Shan Mahmud ('07) and Paul Pescador. Sound: Blossom Dearie: Both Sides Now and Roxy Music: In Every Dream Home a Heartache The larger project uses references of Satan -- ranging from literary illustrations, "Punch and Judy" puppet plays, Loutherbourg's pre-cinematic Eidophusikon shows, pioneering queer films by Jack Smith and Kenneth Anger, Halloween costumes and sports mascots -- to evoke the expansive and contradictory portrayals of the devil in relationship to themes of revolt, transgression, and failure. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb78986e6c0eccebc4ad8/1486497424970/ '1-'6 - Bad Tools Jonathan Ehrenberg 2016. 2:37 minutes, HD video, part of a site-specific installation at SculptureCenter, New York Bad Tools was part of a site-specific installation for SculptureCenter, New York, and takes viewers through a circuit of strange rooms and courtyards that are somehow familiar (the piece was partly inspired by Flann O’Brien’s The Third Policeman, which features an unwittingly dead character stuck in a looping purgatory). While the video’s imagery seems fantastic, its movements are extracted from footage shot in SculptureCenter’s basement exhibition space then mapped onto environments I constructed in the studio. This process pushes the viewer’s actual experience of the exhibition space through the skin of the images on the screen. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb86ce4fcb545c0b87746/1486497424934/ '1-'6 - Learning About Dance Through Clay Catherine Fairbanks 2016. TRT 4:32 Title says it all. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb8d9414fb5fb0fc5394e/1486497424945/ '1-'6 - Period Piece: Washing Amy Finkbeiner 2013. 3:30 total runtime. Kitchen sink, blue jeans, menstrual blood, scrub brush, soap and water. A documentation of a typical monthly ritual: washing blood out of the crotch of my jeans (garment subject to change). https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb944e3df2828e8cf28c0/1486497424996/ '1-'6 - Softy Copy (Railroad) Zerek Kempf 2015. 3 minutes. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb990440243819ff49497/1486497425011/ '1-'6 - painter Shin il Kim 2005. 1min loop, pressed line drawings on paper Depending upon the angle of the light source, a line pressed into a piece of paper can appear or remain invisible. This relationship of presence and absence is at the source of this video, which animates 753 pressed line drawings by showing 30 different drawings per second. I purposefully left out some elements of the drawing, so that the viewer’s eye is engaged in the completion of the image. By filling in the missing information, the spectator participates in the fulfillment of the work, blurring the distinction between lines that are present and absent. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb9facd0f687201a364ac/1486497425007/ '1-'6 - The Act Diego Lama 2011. 3:36, Perú, HD, Single-channel video. The video begins with the Claude Debussy's "Clair de Lune" as the viewer is taken inside the empty Peruvian Congress where bits of dust circulate through the air and start to accumulate into a mountain on the floor. The title is a nod to the government’s economic policy and its relation to drug trafficking, as Peru has ceased to be considered a third world country but has returned to be the largest producer of cocaine in the world, where nobody takes responsibility for this, undoubtedly rendering it a magician’s act. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fba72cd0f687201a36d39/1486497425041/ '1-'6 - ENDE (Like A New Beginning) Emily Mast 2014. Commissioned by the Hammer Museum for Made in L.A. in 2014, this video, which was filmed onsite at the museum, examines the moment, and how moment becomes memory. And then how memory becomes a sort of a malleable or fragile “fact”. Exploring the underlying complexities of language, translation, memory and miscommunication, it confronts the profoundness of the seemingly mundane and uses repetition and familiarity to incite instants of human connection. With: Ela Aldrete, Davie Blue, James Michael Cowan, Loren Fenton, David Gutierrez, Terrence Luke Johnson, Andrew Lush, Tim Reid (performers), Martin Dicicco (camera), Zach Alterman (sound), Vanara Taing (editing). https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbab3e3df2828e8cf43e8/1486497425128/ '1-'6 - Gotta Catch 'Em All! Michael Menchaca 2016. 3:19, San Antonio, TX, Digital Animation. This image is based on the events unfolding throughout the summer of 2016 related to the influx of images portraying police brutality of black bodies on social media sites. Also popular during the same period was the phenomenon surrounding the augmented reality app "Pokemon Go". In a simultaneous environment, I've associate the obsession to catch all Pokemon with that of Law enforcement's obsession with incarcerating black individuals. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbafc59cc689360912391/1486497425160/ '1-'6 - Modern Savage Orr Menirom 2016. Single channel HD, video loop, filmed at Skowhegan. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbb97ff7c50b316260818/1486497425106/ '1-'6 - (Middle) Passage for Dreams Helina Metaferia 2016. Runtime: 4:20; Three Channel Video Art; Video made at Skowhegan School of Sculpture & Painting This three channel video art installation began during my residency at the Skowhegan School of Painting & Sculpture in 2016. It is the first iteration in a series of narratives on notions of belonging, home, and Black identity in the African Diaspora. The video features three Skowhegan 2016 participants laying down in a serene environment (Skowhegan campus) while talking about heavy issues that are relevant to our current social-political conditions. “(Middle) Passage for Dreams” has since evolved to feature other locations and Black artists around the country, all filmed in meditative environments as they engage in dialogue. www.helinametaferia.com https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbbeb579fb3faffb0d718/1486497425203/ '1-'6 - The Russians are Coming Nicole Tschampel 2010. TRT: 39 seconds The Russians are Coming is a video created using appropriated clips from the 1966 American comedy film, The Russians are Coming, The Russians are Coming. The movie tells the Cold War story of the comedic chaos which ensues when a Soviet submarine accidentally runs aground near a small New England island town . Midway through the film the postmistress and the gossipy telephone switchboard operator of the town team up to alert everyone that the town has been “invaded” by the Russians. They craft a handmade sign with the word “Alert” painted on it and drive through the town together on a motorcycle with a sidecar in a desperate attempt to warn the other citizens of the impending doom. Always interested in how methods of communication and their content is transformed, I have taken every sequence from the film that includes the Alert sign and visually eliminated all the details except for the fluttering sign. By isolating and decontextualizing the sign, it is beautifully apparent how universal such sensationalism is in any culture or media. Removed from its paranoid era, the message transcends generations and is at once ageless for any controversy, large or small. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbc4cff7c50b3162616cb/1486497425209/ '1-'6 - FACT=FICTION Asim Waqif 2016. 11:33, New Delhi, Full HD I was reading the newspaper one day and theree was an article about how the police had caught and gunned down 25 smugglers in the South of India. The cops were really celebrating. However it emerged after a few days that some of the people who had been killed had been picked up from a bus and others from a nearby village and taken to the site of the incident and deliberately shot. It got me thinking about what were the things/people in my life that could work as evidence against me if the State decided to prosecute me. The following film is a fictional autobiography that uses only true interviews and real places and objects associated with me but it has been edited in such a way that it seems that I am up to some nefarious activities. This could happen to any one of you. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbcab1b631bc1f839b008/1486497425271/ '1-'6 - Getting Into Nature Angela Willetts 2016. 08:43, Skowhegan, Digital video A performance for camera, inspired by the birch trees around the Skowhegan campus. The performance unfolds, unrehearsed, as the artist interacts with the materials she has collected from her immediate environment. This performance embodies the artist's struggle to reconcile spiritual and philosophical ideals with physical realities. It is also an impulse-led meditation on Karen Barad’s notion of “the entanglement of matter and meaning”, whereby all matter, both human and non-human, is in a state of co-emergence - agents acting upon and making each other. Ultimately, it is a human enjoying a romp in the woods. https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fbcf6414fb5fb0fc5867f/1486497425321/ '1-'6 - I am Ellen, this is my dog. Ellen Jing Xu 2016. Total runtime: 05:35, filmed in Seattle, WA https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/5895010617bffc49acdd312b/1486497425225/ '1-'6 - THE RIGHT TO LEAVE Sharon Paz 2013. 4:00 min, Germany, Single Channel HD The work deals with borders and migration, transformation of lives, a loop of movement that always return to the same point. The houses, like an empty train, are based on the REH model of folding portable houses from the time of the DDR in Germany. The view outside is changing, between cold and warm, from the European woods into the Middle Eastern desert and back. The train is leaving and coming back to the same place. Halt behind the fence, the people inside are trapped and cannot leave, playing musical chairs over and over again. More info: www.sharonpaz.com https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/589a2697e4fcb554f0926ce1/1486497482811/ '1-'6 - Past Future (Pergamon, Berlin) Lorena Mal 2016 loop, HD Video with sound A loop between present and future of Pergamon Museum's collection of past cultures https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/588fb3dde3df2828e8cec1be/588fb5922985261bc9abb056/1485812793636/ '1-'6 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/t/589a26e9f7e0ab50f510bd7d/1485813212833/ '1-'6 - Autumn Deborah Anzinger 2016. 07:12, single channel video and sound My work is an exercise in testing the limits of an understanding of existence that is hybrid and indeterminate. I create spaces where material value determined by convention is challenged by chance, choice, play and fluidity. The viewer is invited into the transgression of systems at play; intimately witnessing new negotiations of value created within it, and the space this opens up. http://skowhegan.watch/round1 daily 0.75 2016-06-17 https://static1.squarespace.com/static/56ddc6db20c64765e5ca9e4d/t/56e1f02327d4bd469e88a9ef/1457646037037/1376417809_billgates.jpg Round 1 http://skowhegan.watch/information daily 0.75 2016-04-15 http://skowhegan.watch/submissions daily 0.75 2017-02-01 http://skowhegan.watch/round2 daily 0.75 2016-06-20 http://skowhegan.watch/round3 daily 0.75 2016-09-07 http://skowhegan.watch/round4 daily 0.75 2016-12-01 http://skowhegan.watch/round5 daily 1.0 2017-01-31